Music scenes are more than just a collection of bands. I’ve spent the last few years observing that they function much like Silicon Valley-esque economic clusters with the power to transform parts of a city. Recently, The Washington Post decided to follow-up on research I conducted in Omaha wherein I examined how the city’s indie music scene became a catalyst for urban redevelopment. What they found is a scene continuing to grow and a music-based urban redevelopment project, Slowdown, that has met everyone’s expectations. You can read their story here. The newspaper then asked me a few questions about how music scenes – and art in general – can be harnessed for the benefit of participants and the cities in which they live. That interview is here.